Friday, December 16, 2011

Khoob ishq naseeb hua...

A Keyrun Rao Original

Ek tere siwa sabne chaaha humein
Aisa mujh mein kya dikhaayi diya
Jo tujhe kabhi nazar mein hi na aaya
Ye sochte hue guzarte hain lamhein

Kuchh bhi to nahin badlaa idhar
Jaane tu kyon rahi hai bekhabar
Teri khamoshiyon ki talaash mein
Aaj bhi hoon main bin humsafar

Khoob ishq naseeb hua tere baad
Phir bhi hamesha mujhe bas teri yaad

Muskaan se mehroom kyon rahoon
Kya phir se main mohabbat kar loon
Tere bina ye saalon se bade lamhe
Tu hi bataa main kis tarah katoon

Tujhe paane ki ummeed aaj bhi hai
Tujhse mujhe pyaar aaj utna hi hai
Jald hi mujhse kahin takra jaao
Tere ishq ki mujhe tishnagi hai

Khoob ishq naseeb hua tere baad
Phir bhi hamesha mujhe bas teri yaad

Thursday, December 15, 2011

Woh zamaana aur tha...

A Keyrun Rao Original

Chaand, taare, saara aasmaan,
Jaise kadmon mein paaya ho
Sajde mein sar jhukaaye yun
Paaya ho saara yeh jahaan

Woh zamaana yaari ka aur tha
Woh fasaana kuchh aur hi tha

Waadon pe tere yaqeen kiya
Teri yaadon mein is qadar jiya
Apni rooh ko maine tera kiya
Bas tera saaya talaash kiya

Woh zamaana ishq ka aur tha
Dil ka behalna kuchh aur hi tha

Teri muskaan mein baat aur thi
Humaari raahein kuchh aur hi thi
Duur tak saath chalna tha magar
Shaayad manzil kuchh aur hi thi

Woh taraana labon pe aur hi tha
Tera yaad aana bhi kuchh aur tha

Wednesday, November 30, 2011

Ek khushboo pehchaani si...

Ek ajnabi se takra kar
Uski pehchaan kahin
Dil mein yun chhap jaaye
Aisi ek dua hai jo
Yunhi aapko mil jaaye

Ek khushboo pehchaani si
Gar jo dil mein bas jaaye

Ek muskaan dekh kar
Uski khushi kahin
Tumhe jo behlaaye
Aisi ek noor ho wo
Andhere bhi chamkaa jaaye 

Ek khushboo pehchaani si
Jo dhadkan mein utar jaaye

Ek baadal jab baras kar
Tumhe poora bhigaaye
Neend se aise jagaaye
Apne maasomiyat se
Tumhe yun gud-gudaaye

Ek khushboo pehchaani si
Jo saanson mein bhar jaaye

(Dedicated to my sis Mahera Rehman aka @Maahi_Ve)

Tuesday, November 29, 2011

Aisi dua kisey naseeb hai...

A Keyrun Rao Original

Maut tak jis ka intezaar rahey
Aisa to kam hi hota hai doston
Maut ke baad bhi taraste hain
Marr ke jeete hain wo barson

Aisi dua kisey naseeb hai
Ke itni mohabbat paate hain

Chot khaate hain chalte hue
Mazjid ki raah par bhi kabhi
Jahannum ki raah mein mere
Makhmal tune hai bichha di

Aisi dua kisey naseeb hai
Jo itni inaayatein paate hain

Wo khushi hai hi badi alag
Jo tujhse maine hai paayi
Faqir ke naseeb ka sikka
Mere jholi mein jo gir aayi

Aisi dua kisey naseeb hai
Kya deewaana badnaseeb hai

Kitni galtiyaan hoti hain yun
Sabki sazaa maut to nahin
Meri bewafaai ka sila
Mera akelapan hi to nahin

Aisi dua kisey naseeb hai
Tu aaj bhi mere kareeb hai

Dedicated to @TheMasakkali aka Lata Singh!

Monday, November 28, 2011

Hum ishq mohabbat ke...

A Keyrun Rao Original

Kuchh nahin jahaan ki daulat
Kuchh zyaada mili bhi nahin
Ek khazaana liye firta hoon
Noor kabhi khatm hota nahin

Hum ishq mohabbat ke raahi
Kuchh aur jaante bhi nahin

Uski khushi pe jahaan luta dein
Uske chehre ko chaand maan lein
Baawri si hi baatein hain apni
Ab tumse hum kya kahein

Hum ishq mohabbat waale
Dar-ba-dar hain hum yahin

Kabhi dua kabhi to sazaa si
Dhadkanein yun chalti rahein
Jis din sab tham jaayega tab
Tujh mein mil jayenge kahin

Hum ishq mohabbat ke pyaase
Tere bin dariya sookhi zameen 

Saturday, November 26, 2011

Teri dua se...

A Keyrun Rao Original

Tujh se hi seekha jeena
Qurbaan bhi tujhpe hua
Hansta tha jin baatone pe
Aaj rone ko majboor hua

Teri dua se khushiyan thi
Aaj phir chot gehra hua

Ek roshni thi raahon mein
Aaj sab bujha sa lagta hai
Dhadkan thirakti thi kabhi
Ab saansein thak chali hai

Teri dua se wo muskaan thi
Bin tere mera sab mit gaya

Ek suroor sa rehta tha
Tu saath mein jab tak thi
Ab nasha to karte hain
Par kyon wo baat na rahi

Teri dua se barqat thi
Lagta hai ab sab kho gaya

Jis sadak pe Eid manaate hain
Wahaan se chaand gayab hai
Jis mod pe hum milte they
Tera saaya bhi lapataa hai

Teri dua se ummeedein thi
Raha maut ka intezaar ab hai 

Thursday, November 24, 2011

Kuchh is tarah tanhaa

A Keyrun Rao Original

Akele khush rehte they
Na shiqayat na koi gham
Jab galey lagti thi thodi si
Kadwi si wo ek pyaali rum

Sab samajh aati th baatein
Na thi mujhe koi bhi sharam
Khulke jee leta tha jab bhi
Maine pi lee wo thodi si rum

Ajeeb sa lagta hai ye mujhe
Paata hoon ye reham-o-karam
Jab hosh kho kar bhi milti hai
Thodi si mujhko ye rum

Badaa ajeeb sa main hoon
Meri baatein hain be-sharam
Mera bhi hoga koi pyaara sanam
Sach kehhlaati hai aaj meri rum

Na milo mujhey yun hoke besharam
Hai tumhe meri mohabbat ki kasam
Chaahne waala hoon main tera
Lagey chaahey jitney bhi janam

Ab to maaf kar bhi de mujhe
Rehti hai ajeeb si ek ghutan
Jaane kyun dhadakti rehti hai
Kab suljhegi meri ye uljhan

Akele khush rehte they
Na shiqayat na koi gham
Dhadakti hain meri saansein
Par khatm na ho meri uljhan

Friday, November 18, 2011

Vinnaithaandi Varuvaaya's Hosanna: My Hindi version

Javed saab, I have the utmost regard for you, but what you did to the Hindi version of Vinnaithaandi Varuvaaya, as a fanboy of the film, this is the least I could do.



















Kaise rahoon, ek pal tere bin
Kaise kahoon, tu hi to hai meri bas...

Oh hosaanaaaaa

Aas-paas rehti woh jitna bhi chaahe
main rokoon ya tokoon usey
Kehti hai mujhko ki chaahoon main usko bhi
Jitna wo chaahe mujhe

Pyaari badi to hai wo... hosanna
Chahoon badaa usko... hosanna
Ab chaahe jo abhi
Woh na miley mujhko

Dua ye hai ke bas
Hamesha muskaati rahe wo

Hosaanaaa...

Everybody wanna know I feel like aa
Feel like aa really wanna be with you
It's not enough to say that we're
Made for each other,
Its not that its Hosanna true

Be there when am callin' out the Hosanna name
Be there as if whole life has changed
I never wanna be the same,
Its time we re-arrange

Hosanna......

Tere sang sab kuchh to
pyaara lagey mujhko
Sab kuchh khudaai lagey
Tere bin maangoon kya
Soona lagey mujhko
Kuchh na jeene mein bachey

Hosaannnaaaa

Aur ab main maangoon kya
Dega kujhko ab to khuda bhi kya
Kya hai tere begair
Na chhaanv, na seher

Sab chhoota mere yaar
Jab samjha maine tera pyaar
Bas reh ja yahaan to tu
Ya keh de bas ye tu

Hosaannnnnnnnaaaaaaaaaaa

Chaand mein hi basti wo, hosanna
Taaron ko kyon takhti wo
Kuchh to pyaari baat hai
Meri woh qaayanaat hai

Hosanna...

Kaise rahoon, ek pal tere bin

Kaise kahoon, tu hi to hai meri bas...

Sunday, October 30, 2011

Ye tune achcha kiya

A Keyrun Rao original


Bas ek tera bharosa tha
Sirf tujhse hi ummedein thi
Meri taqleefien baant leen
Ye tune bada achcha kiya

Seena taan ke khada ho gaya
Meri zimmedariyon ko kam kiya
Mera naam tune roshan kiya
Ye tune bada achcha kiya

Sab ke bhalaai ki tune sochi
Meri tarah sab pe reham kiya
Meri shaan rahega hamesha tu
Ye tune bada hi achcha kiya

Bas neki ki raah par tu chala
Khuda ka nek banda tu bana
Mere har sehra ka baadal bana
Ye tune bada hi achcha kiya

Ek shiqayat rahegi meri hamesha
Ek din pehle kyun nahin mila?
Kuchh saansein bachi thi meri
Bataa kahaan tha tu ruka hua?

Miloonga jab jannat mein tujhse
Tab bhi yehi sawaal rahega
Mera saaya to tere saath tha
Mujhe kyun tune juda hone diya

Ek dua, ek salaam, tujhpe mera
Rahega hamesha yun baqaaya
Us din bhi mil leta mujhse tu
Yaar ye tune theek nahin kiya

Saturday, October 29, 2011

Kuchh tanha sa lagta hai...


A Keyrun Rao Original

Peena akele seekh gaya
Jeena mushkil lagta hai
Ek saath kisi ka mil jaaye
Mausam zaalim lagta hai

Kuchh tanha sa lagta hai
Sab thehra sa dikhta hai

Saansein ye chalti jaati hain
Din kabhi bhi nahin theharta
Rooh meri chhilti jaati hai
Tanha lamha nahin guzarta

Kuchh tanha sa lagta hai
Sadma ye gehra lagta hai

Manaa lete hain khud ko
Bahaane hazaar karte hain
Teri baahon ka intezaar hai
Ab ye karwatein kehti hain

Kuchh tanha sa lagta hai
Mera sab tera hi lagta hai

Kab tak jiyenge yun akele
Khuda ab paraya lagta hai
Udhaar hi de mujhe saath tera
Kya koi tere dil mein rehta hai

Kuchh tanha sa lagta hai
Ye qissa ab adhoora lagta hai

Thursday, October 27, 2011

Ishq mein main madhosh...

A Keyrun Rao original

Na tha husn ka koi hosh
Tere ishq mein behosh
Ugta-doobta rehta main
Jeene mein tha bas ek josh

Ek bas tera suroor tha
Ishq mein main madhosh

Na thi jannat ki koi khwahish
Na suqoon ka mujhe intezaar
Yun bhara tha seene mein mere
Teri har wo adaa ka aitebaar

Ek bas tera suroor tha
Ishq mein main madhosh

Kyun chaaha yun besabab tujhe
Kyun maanga tujhe hamesha
Sawaal rahega ye to hamesha
Hamesha maine khud se poochha

Ek bas tera suroor tha
Ishq mein teri main madhosh

Kuchh dhadkanein de teri
Meri kuchh saansein bhi le
Muft bikne ka ek tareeqa yaar
Mei khudi ko bhi to de

Ek bas tera suroor tha
Ishq mein main madhosh

Jeena tere bin jeena nahin
Kab hoga ye tujhe yaqeen
Khwabon ka sauda to lage
Humko kuchh zyaada haseen

Ek bas tera suroor tha
Ishq mein main madhosh

Dhadkanein thak gayi hain ab
Saansein kyun uljhi rehti hain
Bas tere naam ka kiraaya hai
Jo har-dam bharti rehti hain

Ek bas tera suroor tha
Ishq mein main madhosh





Tuesday, October 18, 2011

Ek pal mein sab khatm

A Keyrun Rao original

Ajab kahaaniyaan hain uski
Kab tak chalegi koi na jaane
Ek pal mein ho jaaye shuru
Ek pal mein sab kuchh khatm

Koi soch hai kya us mein jab
Apne bande tu wapas le leta hai
Kisi ki dua sunta bhi hai tu
Jitna bhi koi banda ro leta hai

Ajab kahaaniyaan hain uski
Kaun kitni saansein lega
Kaun kitne dun bharega
Ek pal mein sab kuchh khatm

Sab tere reham par jeete hain
Teri raah par bhi jo chalein
Ek pal mein sab kuchh khatm
Kuchh to Khuda dikha reham

Bade pyaare bande chhin gaye
Hum phir bhi kyun zinda reh gaye
Humare neki mein kami kya thi
Jo hum aaj bhi yahin reh gaye

Kab bulaayega tu humein
Aisi kya khata hum kar gaye
Dikha de humein bhi jannat
In aansuon se ab hum thak gaye

Ajab kahaaniyaan hain uski
Kisi ko paas apne bula liya
Kisi ko tadapte hue chhod diya
Qafir nahin, par tera shuqriya 

Jeena hai kuchh pal aur yahan
Jo tujhe na aaye meri bhi yaad
Kuchh kissey mere bhi hain
Kyun karoon unhe main barbaad

Monday, October 17, 2011

Sab uska hai socha hua...

A Keyrun Rao original

Kitna bacha lega bande
Kharch to tu ho raha hai
Thoda kuchh aisa kar de
Wo raah mein roshni bhar de

Sab uska hai socha hua
Kab ye samjhega tu
Kuchh nahin tere haath mein
Kab sach ye maanega tu

Har dhadkan ka mohtaaj tu
Ek ansuni saaz hi hai tu
Awaaz bhi uski di hui hai
Ye kab pehchaanega tu

Sab uska hai kiya dharaa
Ye kab yaqeen karega tu
Faqir to hain saare yahaan
Bataa kab ye jaanega tu

Khwaab koi bewajah nahin
Raah to wahi dikhata hai
Thoda kuchh aisa kar de
Seene mein bharosa bhar le

Kahaani usne likh di teri
Tu bas ek qirdaar hai
Jaan laga de jeene mein
Tera wahi kaarobaar hai

Sab usne hai likha hua
Tera noor bhi gehra hua
Jannat to wahi deta hai
Dariya bhi usne sehra kiya

Kuchh aise jee le tu
Ke khush usko kar de
Aisa soche woh bhi ke
Bande ko khuda kar de

Friday, September 16, 2011

Ishqa bhara baadal


A Keyrun Rao Original

Bhool chala tha wo mausam
Baarishon se bachte-bachaate
Is tarah phir yun bheeg gaya
Jaise taaza zakhm pe marham

Ishqa bhara baadal aise takraya
Naach utha mere dil ka udaas saaya

Ghalib ke ghazal si muskaan
Khuda ka tarasha mujassima
Duaon si pak ye nigaahein
Bin soche bas ho gaye kurbaan

Ishqa bhara baadal aise takraya
Khuda ki neki ka phir khayaal aaya

Dil ka karobaar kiye to waqt beeta
Dard ki raah chalna phir seekh gaya
Saans lena bhar jeena hota nahin
Soch ke ye thode ashq bahaaya

Ishqa bhara baadal aise takraya
Ghamon se duur naya khwaab paya

Bhool chala tha wo mausam
Tere nuur se ab chamka-damka
Is tarah phir yun bheeg gaya
Roshni ye kabhi na hogi khatam

Ishqa bhara badal aise takraya
Teri ibaadat mein bas sar jhukaya

(Dedicated to Nargis Fakhri, the love of my life)

Thursday, September 15, 2011

Thodi si roshni chaand ki

A Keyrun Rao original


Ujaaley ka guroor jaise todey
Thodi si roshni chaand ki
Bas usi tarah rehte ho tum
Meri khudi ko har pal jodey

Duur ho jaanta hoon main
Meri dhadkan to tum ho
Tumhe yaad karta hoon main
Meri khwaaish bas tum ho


Baarish ke aawara boondon si
Barasti ho aasmaanon se
Aansoo ban kar mere saare
Koi ansuni dua hi ho jaise


Bada andhera sa lagta hai
Dua bhi rooh ko chubhta hai
Tu nahin jab paas mein
To khuda se bhi darr lagta hai


Jud ja phir meri saanson se
Dil ke dhadkanon ki wajah ban
Kuchh teri beeti bataa de
Mere bhi thode kissey sun

Chaand ka bhi ek guroor hai
Teri mohabbat sa suroor hai
Tab hi yaad aata hai kambakht
Tera saaya bhi jab mujhse duur hai

Kya zindagi hai…

A Keyrun Rao Original

Daulat waalon ki gareebi
Shohrat waalon ki bad-naseebi
Mohabbat waalon ki pyaari
Kab aayegi saali meri baari?

Kya zindagi hai koi samjhaao
Kisi faqeeran se mujhe milwaao

Sab ho kar bhi kuchh na ho
Kuchh note, thode se sikkey
Kamaai ki saari maara-maari
Kabhi aayegi saali meri baari

Kya zindagi hai mujhko samjhaao
Kisi peer se mujhe milwaao

Nashey mein sab samajhte hain
Hosh mein bas ulajhte rehte hain
Raas hi na aayi ye duniya-daari
Kya aayegi kabhi meri bhi baari

Kya zindagi hai koi samjhaao
Kisi haqeem se mujhko milwaao

Aansuon pe hansi aati hai
Dard se hi raahat aati hai
Kabhi yaad bhi aayegi humaari
Kabhi rooh chaahenge tumhaari

Kya zindagi hai mujhko samjhaao
Kisi khuda se mujhko milwaao

Chaahe phir bas chal denge
Ek muskaan dekhenge tumhaari
Kya zindagi hai koi to samjhaao
Us ishq se mujhko milwaao

Kya zindagi hai mujhko samjhaao
Kisi yaar se to mujhe milwaao

Wednesday, September 7, 2011

Sun nahin paaye…




A Keyrun Rao Original


Meena,


Kabhi sun bhi na paaye
tere maathe ke shikan
Mehsoos bhi na ki kabhi
Tere saanson ki ghutan


Shor to rehta hai is kamre mein
Jaane hum kahaan baste hain
Kabhi bataayenge apna haal
Soch ke phir lag jaate hain jeene mein


Kabhi jeene ki fursat bhi na hui
Jeete ji, kabhi sunaayenge apni bhi
Sunenge tanhaai tumhari bhi
Kabhi chuka denge ye udhaari bhi


Shor to rehta hai is dil mein
Tum yahin-kahin dhadakte ho
Kahaani ek si hi hai kuchh hamaari
Kharch ho gayi paise jutaane mein


Sun ne sunaane ka sauda karte hain
Kuchh pal ko to ab theharte hain
Khushiyaan to zyaada mili nahin
Ghamon ka hisaab kar lete hain


Shor to rehta hai is rooh mein
Jaane wo mujhse kya kehta hai
Tum awaaz bano kabhi uski
Hamesha yehi dua bas rehta hai


Tumhaara, Lallan.


(A humble tribute to Neeraj Ghaywan's short film - SHOR)

Saturday, September 3, 2011

Ek baar aise milenge


A Keyrun Rao Original

Nigaahein to mili hain,
kadam bhi kabhi milenge
Inayat rahi gar khuda ki
To khwabon ki kasam

Ek baar aise milenge
Baarishon ki tarah kuchh
Baadalon mein ghul kar
Pahaadon par barsenge

Kisi muraad ki tarah
Jo yun poora hua ek din
Badlenge aapka safar
Taaron se roshan hoga

Ek baar aise milenge
Noor ki tarah kuchh
Duaon mein ghul kar
Inayat ban kar barsenge

Raahat ho rooh ki
Mithaas bhar jaaye tu
Kya Pari hai jannat ki
Muskaane ki wajah tu

Ek baar aise milenge
Deewanon ki tarah kuchh
Khwahishon mein ghul kar
Khudayi ban kar barsenge

Adaa kuchh ghazab si
Nazar ujaala kar dein
Hayaa aisi ghazab ki
Dil ko ghulam kar de

Ek baar aise milenge
Faqeeron ki tarah kuchh
Koi ehsaan aisa karna
Neki ka jaisa koi jharna

Ek baar aise milenge
Khul ke dono jiyenge
Ek baar aise milenge
Khud ko fanaa karenge

(Dedicated to my love, Nargis Fakhri)

Tuesday, June 14, 2011

The making of Shitan




(Recieved this email forward, thought it was cheeky)


Struggling Indie filmmaker:
Blah blah blah No Smoking Blah blah blah Dev.D Blah blah blah Guru Dutt Blah blah blah Kurosawa Blah blah blah Tarantino Blah blah blah Chan-wook Park Blah blah blah Kafka Blah blah blah Kieslowski Blah blah blah…

Wannabe experimental rich film producer:
Blah blah blah Dabangg blah blah Devdas Blah blah blah Manmohan Desai Blah blah blah Karan Johar Blah blah blah Sajid Khan Blah blah blah Dilwale Dulhaniya Le Jaayenge blah blah blah YRF Blah blah blah Kuchh Kuchh Hota Hai Blah blah blah item song Blah blah blah… Uday Chopra Blah blah blah bikini scene...

Struggling Indie filmmaker:
Blah blah blah Noir genre Blah blah blah Mise-en-scène Blah blah blah

Wannabe experimental rich film producer:
Fuck off!


Cut to


Drunk struggling Indie filmmaker:
Blah blah blah No Smoking Blah blah blah Dev.D Blah blah blah Guru Dutt Blah blah blah Kurosawa Blah blah blah Tarantino Blah blah blah Chan-wook Park Blah blah blah Kafka Blah blah blah Kieslowski… Bukowski… Godard… Fellini… ORGASM! ORGASM! ORGASM!

Drunken established Indie filmmaker:
Blah blah blah No Smoking Blah blah blah Dev.D Blah blah blah Guru Dutt Blah blah blah Kurosawa Blah blah blah Tarantino Blah blah blah Chan-wook Park Blah blah blah Kafka Blah blah blah Kieslowski… Bukowski… Godard… Fellini… ORGASM! ORGASM! ORGASM!

(Calls production house and instructs to invest in film)


Drunken struggling Indie filmmaker:
It is a story about today’s youth and how they are told to lead their miserable lives and how only movies are made about rich kids who go bowling or jet skiing… Blah blah blah and we can have witty dialogues and songs contradictory to situation and some jabs at the system, racial jokes, swearwords, corrupt cops ORGASM! ORGASM! ORGASM!


Drunk established Indie filmmaker:
Hallelujah!!! Blah blah blah wow orgasm! how smokin' cool! As long as you cast…


(Rolls a joint)

Monday, May 23, 2011

Pyaar ka Punchnama: The boys pack a punch



At the music launch of Luv Ranjan’s directorial debut film Pyaar ka Punchnama (PKP), Ajay Devgn (who was one of the chief guests) summed up the movie in a single statement “This is a film about frustrated guys made by frustrated guys”. This observation by Devgn pretty much sums up this film which comes as a breath of fresh air and actually entertains the audience (even the multiplex snobs) enough to make them clap, whistle and hoot; especially throughout the first half.

There is one thing common between Ranjan’s PKP and Kiran Rao’s Dhobi Ghat and that is the approach they employ towards their subject using the protagonists. While Rao’s Dhobi Ghat has characters that encapsulate almost the entire spectrum of people living in Mumbai (which is the actual hero of her film) Ranjan’s PKP dissects the majority of modern-day relationships using the female protagonists as the alibi. Though touted as ‘laugh-till-your-belly-aches-fare’, this film looks at relationships seriously, albeit from the boys’ point of view.

PKP doesn’t tell us something that we have never heard about, especially about the boys vs girls debate. There have been scores of email forwards, SMS jokes and everything else in between that takes digs at the girls’ way of looking at relationships and life in general. What works for Ranjan is the fact that he has put together all the available material in the form of a cohesive story without actually saying that all women are evil. He puts it across in a balanced way where both boys and girls have their grey shades. If the girl is manipulating the guy for her needs, the guy has his agenda in place too.



In an attempt to make a ‘safe’ film Ranjan has packed in some songs which actually dampen the tempo of the otherwise crisp film. Not that the songs are bad it’s only that they take away from the realistic nature of how the boys and girls go about their lives. May be it was the producers call to make money from ring tones etc, but that is completely pardonable for a film of this nature, as it doesn’t aim to be a Dhobi Ghat in the first place.

What stands out in this film is the character graph of the guys. They all begin with being typical beer guzzling, abusive brats and the moment the girls find their ways into their lives, they are changed men. The expletives are replaced by the cheesy and how their priorities in life go for a toss. Ranjan brings forward these subtleties without making much fuss about it, but he does employ a comic signature tune to highlight how the guys are reacting differently. That does help the audience understand the joke and the reaction is something which very few films in recent times have been able to incite.

Any review of this film will remain incomplete without a mention of the monologue delivered by Kartik (who plays the cutesy lover boy Rajat aka Rajjo) and Divyendu (who plays the character called Liquid) who manages to bring the house down every time he opens his mouth. PKP is worth a watch, especially with your beer buddies and then maybe you could go out for a round of beer or two. Watching this film with the girl in your life might lead you to sleeping on the couch for a few days at least. Cheers!

You have been warned.



P.S.: Tumhaara mann na ho matlab? What are you talking about? Aisa kabhi hota hai kya? Hota hai kya?

P.S. 2: Is happy woman a myth?

Friday, April 1, 2011

Intezaar mein…

A Keyrun Rao Original

Beh gayi saansein, jam gaya lahoo,
Intezaar mein tere kab tak rahoon?
Ghazlein suni, kuchh afsaane padhe
Zindagi chalti rahi, dhuup roz chadhe



Kabhi hawaon mein udti teri dua mili
Kabhi samandar ke namak mein paayi
Teri badmashi bhari muskaan mein
Asmaani gehraai humein di dikhaayi

Din-o-saal ke darmiyan lut rahe pal
Pahaadon se gire jaise koi jharna
Kabhi jo yaad aajaaun main kahin
Mere ishq ka salaam qabool karna

Intezaar mein jhapki lagti kabhi
Kabhi do aansoo toot ke gir jaate
Phir koi pyaari baat yaad aati teri
Rote hue bhi muskaate se reh jaate

Bada arsaa ho gaya hai ab juda hue
Phir bhi kal jaisa maloom padta hai
Hamesha ka saath to rehta nahin
Kyunki jism se bhi rooh bichhadta hai…

Pic courtesy: khimaereus

Tuesday, March 15, 2011

Filhaal faasle hain...

A Keyrun Rao Original

Kuchh lamhon ke saath ke baad
Khamoshi mein doobi aahein hain
Thehar jaate hain do pal aur
Kyonki filhaal to ye faasle hain

Khayalon se tez tujhse yun milne
Dhadkanon mein ghulna chaahte hain
Kitni saari pyaari baatein hum
Aapse kehna sun.na chaahte hain

Rooh mein basi aapki khushboo
Aankhon mein qaid pyaari muskaan
Bas inhi ke to sahaare meri
Beh jaati tanha raatein hain

Filhaal faasle hain, darr bhi hai
Dua ya jaam mein suqoon paate hain
Wapasi ke intezaar mein bojhal
Aaj mere saare khayalaatein hain

Duuri to hai, nazdeek phir bhi hain
Kareeb jald aane ke ye iraade hain
Chot bahut dete hain ye kambakht
Darmiyaan jo ye filhaal faasle hain...

Friday, February 11, 2011

Aashiq ka inteqaal...

Keyrun Rao originals

Kabhi dhuein mein teri tasweer dikh jaati hai, to pighle baraf ke paani mein ashq chhupa leta hoon.

Tere baad bhi tere saath hain, naraaz ho kar saaye bhi kabhi jism se juda hue hain?

Chaand takh.te hain wo badnaseeb, jinke palkon se mohabbat dhul gayi.
Unki yaadon mein ab bhi baadal chhaan leta hoon.

Teri mohabbat ki kishtein aaj bhi chukata hoon,
teri har yaad pe muskaate hue aansoo bahaata hoon.

Tujhse mila, ishq hua, khuda ki nemat hai,
teri yaadon mein shayari kehna, ab jaise ibadat hai.

Bahut shiqayatein thi kabhi, ke dil ka ye hulia banaya tune,
par khilaunon ka anjaam to hamesha yahi raha hai.

Sajde mein jhuka tha kuchh der, tu to khuda ban baithi,
raund ke mere dil ko qatl-e-wafa kar baithi.

Ishq-mohabbat sabke bas ki baat nahin,
shahaadat mein muskaana qafir ki auqaat nahin.

Mera ishq to tha hi ajeeb sa, andheron mein taare jaisa,
gareeb ki thali mein, jale hue roti jaisa.

Maula tab to tu koi aur tha, jab wo thi saath, aaj to tu bhi itraata hai,
dekh ke mera dil bad-naseeb sa.

Ab hans leta hoon kyonki ashq to beh gaye,
dil ke veeranon mein tere saaye reh gaye.

Sookh gayi palkein, kuchh yaadein reh gaye,
peechhe rahe hum, jeete hue maut si tanhaai seh gaye.

Auron ke aansoo to main bhi roya, par mere zakhm bhi taaza hain,
aaj aise rote hain ki lahoo bhi sharma jaaye.

Ab to aansoo bhi nahin aate, sookhe lahu se ho gaye hain,
kuchh sakht... kaale se.

Kitaabein bhar dete, tere naam ki shayari mein,
aaj usi shayari mein tujhko aur khud ko dhoondta hoon.

Maut hi aa jaati to achcha hota, teri yaadon ki baatein khuda se kar raha hota. Shaayad dil pighal jaata uska, main suqoon se to phir sota.

Faqeeran gale lagaa kar bahut royi, pagli ke ashqon pe kisi aur naam tha,
mere ishaare mein salaam aur dil mein bas alvida tha.

Lahu kaun dhoyega, safed chaddar pe aansoo chadha denge, yun kaun marta hai,
shayari pe waah-waah bichha denge.

Neend phir bhi aa jaati hai, ek maut nahin aati, teri khushi ke aarzoo mein, humein zindagi bhi nahin aati.

Tuesday, February 1, 2011

An appeal from Mohini Sharma...

Hi I am Mohini Sharma from New Mumbai,Me and my brother (17) have Spinal Muscular Atrophy II ( Its a motor neuron disease. The motor neurons affect the voluntary muscles that are used for activities such as crawling, walking, hands, legs head and neck control, and swallowing.)

I have done B.com and doing home based job since last 7 years in Andheri.But from last 1 year my mother is suffering from Spondylosis and we needed to shift from Andheri because she is not capable now to take care of us and as my father's office is in new mumbai.

Now after working seven years from home I would like to explore my working abilities and would like go out for job also home based jobs are not paying enough amount to run life smoothly.
As I am the second responsible person to run my family its necessary for me to get good job with enough satisfactory salary.I am seeking help to get modified power wheelchair which can be manufactured at callidai motor works of Chennai and it will cost around 1 lakh.Power chair will make me much independent at work premises as well as at home.
People heisted to hire people for job if they are on wheel chair,the power chair will make me independent and so will help me to get job too.
I have attached my resume for more details.

Warm Regards,
Mohini Sharma
9820002577
http://meriudaan.wordpress.com/

Her CV

Name: MOHINI S. SHARMA mail2mohinisharma@gmail.com
CAREER OBJECTIVE
To work with an organization where I can utilize my skills to contribute to the growth of organization and get opportunity to learn and grow in my career.

ACADEMIC QUALIFICATION
Name of exams University / Board Year Class Obtained
B.Com Mumbai University Third year June 2006-2007 Second class
H.S.C. National Open School (Delhi) July 2002 – 2003 Second class
S.S.C. National Open School (Delhi) July 2000 – 2001 First Class
EXPERIENCE
• Working as Jr.Reader in Impact Research and measurement since March 2009 till date
Tracking news from Hindustan Times for company clients and process same
In Impact remote software.
Installing/Uninstalling software with help of remote engineer by using Team viewer
(part Time)
• Working as HR in Umbria agency since June 2010 till September 2010
Posting ads on various sites for business promotions
Sending bulk email and sms for generating database and business promotion
Recruiting candidates for various profiles such as Back office, Accounts, Domestic & International BPO
Calling candidates explain them profile and scheduling Interviews of right candidates for right profile
(Full Time)
• Run Coaching classes from November 2002 June till March 2010.
Teaching from 1st to 6th all subject (Maharashtra, CBSE,ICSE Board)
8th to 10th English & Social studies (Maharashtra,CBSE,ICSE Board)
11th &12th All subjects (Commerce Stream)

• Running English Spoken & Computer classes from April 2002 June till March 2010.
Computer classes:
Teaching Windows, Office Automation, Internet surfing & use of search engine Helping students with collage projects by using Power Point.

English Speaking classes:
Giving Introduction of English as language and basic knowledge of its use
Teaching grammar, making and translating sentences
Covering 5 days session on personality development
Covering 2 days session on grooming for Interview
• Worked as Executive in Rudra Holidays since December 2008 till April 2009.
Creating Database of various Hotels, regional wise by using various search engine
Sending Bulk email and sms for business promotion
(Part Time)
(my all jobs were/are Home based)
EXTRA QUALIFICATION
• Windows 98\2000\xp, Ms-office
• Corel Draw 11
• Complete knowledge of Internet surfing
PERSONAL DETAILS
Date of Birth 17th November 1984
Address Address: D/304,Tirupati complex, sectr 36,
Kamothe,Mansarovar station,Navi Mumbai
Contact No.: 9820002577
Nationality Indian
Marital Status Single
Languages known English, Hindi, Marathi
Hobbies Music, writing poems

Place – Mumbai Mohini Sharma

Monday, January 31, 2011

I WISH I WAS SAMEER DATTANI

(This is an old article written for Mid Day by writer-director Anurag Kashyap, for your reading pleasure)

I woke up… I woke up on my table… my desk, my chair, next to my half empty glass of rum. There was no buzz. No drunkenness. No sleep. Was I even sleeping? I looked at my watch. It was 4 in the morning. There was a not-yet written script lying on my table… a month past my deadline… What am I doing? I am a writer who finishes a script in 48 hours. Why am I a month past my deadline? Nobody calls, the phone doesn’t ring, I did not pay the bill. My director is hopping mad. My producer? I don’t care for him. No producer cares for the writer, why should I care for him. I am awake you know, I am not sleeping next to my producer’s wife. It’s him… it’s him having a heart attack over the unwritten script. Right next to his wife.

I look out of the window. The monsoon is here. Is it? Well, may be Al Gore is right… Global warming is fact, not fiction… Monsoon hitting Bombay on May 31 indeed. Last monsoon, I was neck deep in water, hoping to be a hero, hoping to see someone drown so I could save him and become a hero. I missed my chance, found the roof of a car to sit out the rain… Goddamn BMC.

I lose my train of thought… Where was I? Why am I? Who? What? Why not?
There is a light I see at Yashraj Studios from my window. May be they are celebrating Fanaa… May be they are celebrating the fact that Black Friday is still stuck. Why do I hate this city? Is it because I love it too much, or is it because it loves me? Tried leaving it, but came back… What is it? What is that Mid Day wants from me? Why should I write? Which time frame should I choose? Now it’s 4.00, no, 4.08 am.

I am hungry… The Railway Restaurant won’t open before 5.05. Maybe I should start walking to the station. Will reach on time. But what about the stray dogs? Oh! They must be sleeping. It’s a Dog’s life. Well, at least the Dog sleeps at this hour. Why is the light still on at Yashraj? Why did the whole industry come out in favour of Fanaa’s release in Gujarat? It was unfair. It was unfair, but wasn’t my film not releasing not unfair? Why did Hrithik get all democratic on the front page of Mid Day now?

Did he not know the meaning of democracy when my films were stopped? Selective support. Selective forthrightness. Selective God knows what! Who am I? Aamir Khan is a bloody hero… even for me. So? Well, he is a hero who gets away… I am a zero who never got away… Like Anil Kapoor told me the other day, “Bandh mutthi hain tu. You are lucky your films didn’t release. What has luck got to do with credibility? I think I should eat something… let me finish my whisky… (Pause)
Let’s go.

Should not make noise when I shut the door. Ummmm… there… Goddamn elevator… Why is called the elevator, even when we descend? Descendor or Descentor? Goddamn grammar! Why do they play that bloody tune in the elevator? Who wants to know, when someone is coming out or going in? Isn’t silence better? Go up without anyone finding out or sink without a trace… Elevators shouldn’t play tunes and watchmen shouldn’t be sleeping…

“Wake up, open the jaali… Why is he looking at me like that? Does he hate me? Well, I come in at this hour. normally… always… Right after my films were stopped… for months at least. Has he forgotten? Don’t make noise…
Will be back…

No noise…

No dogs bark…

That black one is sleeping… Good. A rickshaw? No. I am to walk. Sorry. I walk.
Will the Sun come out today? In the sky… in my life? You know, there is a new law that’s been passed by the Supreme Court, that allows dissent… May be the SC looked up the dictionary. They finally realised dissent is not slander. It’s just _expression. How many know dissent is _expression?

Well… Bhansali doesn’t. He thought my article on Black was slander. Ramu I disowned Kaun and Shool in my interview to Maxim! Why do people think only they can disown their flops? Who are the megalomaniacs here? Well, you can’t make a man understand something if his salary depended on “him not understanding it”.

Why is the cop jeep standing there? Why is he looking at me? Do I look drunk? I should watch my step and walk in a straight line… like a ramp model. Heel follows toe follows heel… Hips swinging… Will he think I am gay? I’m not gay. I’m not happy either. I am not sad yet. Not angry… Cynical, maybe…

Charles Bukowski zindabad. I am just Comfortably Numb. It’s on my T-shirt. Roger Waters zindabad… Home security… Red Indians… defending America since 1492… Who is the terrorist?

Why doesn’t my mind just crash? It talks too much… Non-stop… to me. Am I going nuts? No. I am just walking. I will find my road. It’s only… what? 4.34 am. Not yet. Which time slot did Mid Day want me to write on? They produced Black Friday. Tariq is a good man. He was defeated too by the system. Black Friday did not release. If your system is f****ed, and you know it, clap your hands. I’ve got that T-shirt too…
Ramadoss. He hates smoking. I hate smoking too. Where are my cigarettes? Ah! Found them. I hate smoking because I love it. Not good to love anything too much. Cigarettes, scotch or women… Smoking, drinking and screwing… Nice book.

Why do they always screen Bhojpuri films at Navrang? I should make my Bhojpuri thriller soon. Thriller? Bhojpuri? Are you nuts? Am I… or are they?
Why were the lights on at Yashraj? Must appreciate Adi. When Paanch was banned and I asked him for help, he said, “I don’t speak to the press for anything”.He is the only one who did not come out even for Fanaa. He is consistent. You can trust him. I hope Kabul Express makes the most money for Yashraj… more than Fanaa, Veer-Zaara and everything else. So they will consider non-Yashraj Films.

Must check out Ghoom. Why do they have shots of New York cut to Chaiyya Chaiyya in Inside Man? Doesn’t make sense. Spike Lee has lost it. Who hasn’t? I have lost it completely.

Gitanjali Rao won three awards at Cannes without the industry’s support. They didn’t even invite her to the Indian parties. No one in this industry has more imagination or skill than her. They still do not acknowledge her. Who should I feel sorry for? She rocks. Rest don’t. The press didn’t talk of her achievement. May be they will when they know she is Priyadarshini Rao’s sister… Sad. You have to be somebody’s someone, or else you’re nobody’s no one. I am nobody’s no one.

What a city! I love it. They don’t know you till they celebrate you. They don’t know you till they either hate or love you. They don’t know you till you bother them, till you rock their boat, till you make money for them, till you get a release…
Why I am stuck without a release? I am still making my fourth film. I think I need a wild, wanton, uninhibited, uncensored, unlitigated, unjinxed, un… where was I? What do I need? Am I talking sex here? What has sex got to do with litigation? Orgasm is democratic. It’s for everyone. It’s secular. It’s both known and unknown. It’s between the ears. Other than the other thing between them we don’t normally use.
Mediocrity is good… less mediocrity is great… Good looking mediocrity is celebrated… That’s our cinema. That’s our country. Cuntry roads, take me home, to the place, where I belong… West Virginia… Western Railway Restaurant… Kheema Pav… Chai… five one six… 5.16 am…

This is the only Irani restaurant still alive in Andheri, or should I say still lit up in Andheri… It’s fascinating. The early morning customers are the people who either sleep in the trains or the ones who have walked from the beach. Right across is McDonalds… McDonalds, which now stands in place of the guest house where I spent my first two nights in Mumbai… the 3rd and 4th June of 1993. How I survived this city then… Don’t think it will be possible now…

I knew nothing then, could sleep easily on the road. It didn’t bother me. Today? I don’t know… I look too well-fed… will attract cops… peddlers… God knows who…
Then, they would just say, “Hero banne aaya hai!” Did I come here to be hero? A filmi hero? A real hero? Hero of miseries and self-loathing? I am the king of the little men, I am the king of little dreams, I am the king of little somethings, I am the king of nothing.

Right outside this restaurant was the phone booth from which I would call and harass Mukul Anand. We would laugh at how harassed he was after umpteen calls from wannabes like us… I don’t laugh anymore. I keep my phones off…

Brun Maska… Didn’t have the courage to bite into the Brun for months… couldn’t see why everyone loved it… then came the time when I could afford nothing but Brun… Dip Dip Dip… It was divine. Kheema Pav was seven rupees a plate then… It’s 24 now… The old man at the counter is same, only much older now…

God! When was it that I last commuted by local trains? I can’t remember. Am I forgetting things that I used to live on? For the last seven years, I’ve been so caught up trying to prove a point… Never left the city except for work till Paanch was banned, till I got my passport…

I used to love doing this… must contact the guy who wrote that book about the ad executive living in trains… What was his name? Sh**… He will kill me… loved the book… could make a good film on it… Add my two bits to it… Do I really think, or do I just worry all the time? Still hate Authority…

Some things in life are really unfair. Wish my dad was a rich man… If I was a rich man, what would I do? Buy more DVDs… My room is closing in on me… Like a Hideo Nakata movie… The Room…. Layers of books… walls of them… It will eat me up one day… Room eats up a frustrated writer… I always thought my room made me insular… It’s actually nibbling away at me… All those great books that I didn’t write, All the incredible graphic novels I didn’t sketch… All the movies I did not make… It’s gnawing away at me…

Why is it that UNITED 93, made only four years after 9/11, can release in the US? Even FLIGHT 93, that too, when the case is still on… Why not Black Friday? Why do we make films in this country?

What do our films say, do? Do they really entertain? Do we really have choices? The loser talks again… Shut up… Focus ahead… Haven’t yet started eating… Look at him. Why is he staring at me? Do I know him? Does he know me… from Prithvi? Is he an actor who was rejected for Black Friday? Was he the one who put the curse on the movie? Am I delusional… depressed… Jerry Pinto has not called me yet… I miss New York. Could walk the streets for hours… like I did when I came here in ‘93. Must check out the Chinese stall Prashant used to work at.

Is he the man who stole eight hundred bucks from me back then… Then why is he staring at me… Excuse me… hello uncle… kya hua… ghoor kyon rahe ho… hello, aapse baat kar raha hoon… silence… sh**! The guy has a problem in his eye… Sorry… He is not staring at me… Why should he stare at me?

You meet so many people… It creates a sense of déjà vu. Everyone seems familiar… so familiar that we are afraid to be recognised in our unprepared-for moments… so familiar that we try to be at our best, always… Why do people wear dark glasses? So we can hide our fear in our eyes, or our vulnerability? Or just our eyes?
Milind Soman is naked in Valley of Flowers. Women will love the movie. I should shoot a good sex scene one day. And then watch it in the trial room, before the censors cut it out… What is it about nudity that scares people? Rakhi Sawant is a queen… Her contradictions are legendary… Thank God for contradictions… others are so predictable.. She rocks. Like Zsa Zsa Gabor said about Jane Russel? “She has talent… In fact, two of them.” Was it Zsa Zsa Gabor? When will we have our own Zsa Zsa Gabor? Why, our actors don’t even touch each other during intimate scenes. Why do actresses cover their breasts with a hand during father-daughter hugging scenes? Why don’t we let go? Why don’t I let go? Why do I keep at it — complaining?

I am not Subhash K Jha… I don’t know Sammir Dattani… I should shut up… Who is afraid of Subhash K Jha? Come on Albee, he is no Virginia Woolf. He is no Virginia. He is just, ah… No… stop it.

I should interview Nitish Kumar over the phone and write about Bihar politics from Bombay… That would be my revenge. He follows the dictum… to the D.
Facts must never get in the way of the truth… Doctors bury their mistakes, lawyers hang theirs, journalists put it on the front page…

I wish I was Samir Dattani… Then at least one person would have loved me unconditionally, regardless of my lack of talent.. like my cameraman Nutty says, “Babu, yeh teri maa meri maa nahi hai, cinemaa hai…”

Should head back now… Have bitched enough… Sour grapes, Mr Kashyap… This city needs a hurricane. Maybe if Katrina hits Mumbai, it will be a cleaner city… BMC will be relieved… Katrina has hit Mumbai… in a much different way…

This city wakes up so early… people sleep so late.. or just wander the streets. Everybody is so busy. No one bothers to ask you the time They just steal your watch. It’s almost seven… in the morning… can’t walk any more…
Rickshaw… How can someone listen to Jhalak dikhlaja in full blast at this hour?
“Bhaisaab, volume kam karenge?
“Himesh Reshammiya hai, saar…”
“Mujhe pata hai lekin abhi mood nahi hai…”
“Mood toh sunne se aata hai…”

You can’t argue with them. They have their rickshaw, They want their Himesh. Is there a rickshaw that plays Joni Mitchell? I know one that played Baha Men… Who let the dogs out? Exactly. Who let them out… Maneka Gandhi, my T-shirt says… If we are not allowed to eat animals, why are they made of meat?

The other T-shirt answers: Ham and eggs. A day’s work for a chicken, a lifetime for a pig…

Contradictions… Tales of ordinary madness. Charles Bukowski zindabad… The rickshaw driver is a bloody racist. He wants to race the cyclewallah and overtake him, but gives away to the BEST bus… Bloody racist.

Who is the BEST in our industry? Big B… Big Best… Who am I then? The irritating Auto Rickshaw who will find his way eventually… scratching, scratched, denting, dented. But will break the Goddam red light.

Mumbai zindabad… It’s 7.15 am… Look at that watchman, looks like he kept watch all night… Bloody pretender… Doesn’t know his Shakespeare… Rosencrantz and Guildensternare are really dead… Something is really rotten in state of Denmark. I am no f***ing Hamlet. Omkara will rock. Again the Goddamn elevator tune… Sixth floor… Newspapers… Milkman… My room… Good Night.

Tuesday, January 18, 2011

Jhankaar Beats Movie Review

Sujoy Ghosh’s debut film Jhankaar Beats is a little gem that endears itself to the audience right from the opening sequence. A story about two friends, doffing a hat at the much revered Sholay, Jhankaar Beats is their journey from zilch to Jhankaar Beaters. The film starts with the Deep and Rishi participating and losing a music contest ‘Jhankaar Beats’ so the obvious ending to this film would be them winning it. There is no deviation from the obvious but the way things unfold, it is an experience that stays with you for long after you’ve seen the film.

Produced by Pritish Nandy, this landmark film touted as the ‘father of multiplex films’ is a simple story simply told. No razzmatazz, no special effects, this film is all heart and wit. Every character in the film is for a reason. The setting is very urban but still will not alienate the masses and a big credit for that goes to debutante music director duo – Vishal and Shekhar. The music is as much a part of the film as the dialogues. The characters are all quirky and are relatable in their own sweet ways.

Deep and Rishi (played by Sanjay Suri and Rahul Bose)work at an advertising agency and are passionate about music, their idol being R D Burman who they fondly call Boss… the film gets a new dimension altogether. Both the leads are married, while Deep is the father of a child, Rishi, though married is a child himself. Their wives played by Juhi Chawla and Twinkle Khanna respectively are going through their own transitions in life.

In between all this another character Neel (played by Shayan Munshi) is thrown in for the extra effect. He is the butt of the jokes; sometimes he is the joke himself. He is in love with a girl he saw at a bus stand and never has the guts to propose to his lady love (played by Riya Sen). The story moves around Rishi, Deep and Neel getting to their goals, crossing simple and complex hurdles thrown at them by life, with a fantastic sense of humour and a pinch of salt.

Deep is planning to buy an expensive keyboard while his wife wants them to save money for the child they are expecting. Rishi is going through a divorce process despite the fact that he loves his wife so much that he had given her all the tapes of ‘Boss’ that he had painstakingly collected over the years. Neel is just not man enough to say the three magic words, instead ends up saying “mujhe us taklu ke saath sex karna hai.” Amidst all the madness there is a condom campaign to be cracked, a music contest to be won and personal battles to be fought. They do all that, with the trademark madness that makes this film a collectors’ item.

The mood, the tone and everything else is just perfect and lends to the ambience of the film. This is a film that you can watch over and over again and still have that goofy smile pasted on your face till someone throws a ‘mundu’ at your face. Want to know what ‘mundu’ is? Watch Jhankaar Beats.

P.S.: This is the first Indian commercial film that shows a blowjob, but don’t think about sex. Please don’t. Enjoy the joy ride with Boss and his cronies.

Wednesday, January 5, 2011

Kuchh samaan...

A Keyrun Rao Original

Kuchh baadal batore hain
Thode khushi ki boondein
Dard ke bade samandar
Nigal ke baithe hain jo

Phoot ke chhalkenge jazbaat
Sookhe lahu si kaali raat

Kuchh rishte batore hain
Kas ke seene se lagaaye
Chhoot-te hi nahin humse
Jaise laash se latke saaye

Bheegi si muskaan mein
Piro liye hain ye tamaam

Kuchh yaadein batore hain
Meethe namkeen aur rangeen
Baar-baar jeete hain unhe
Jaise bhi ho chaahe kahin

Chhil jaati hai ye khudi
Shaayad sazaa hai badhi

Kuchh zakhm batore hain
Kharonch ke maze lete hain
Nishaan bade gehre hain
Phir bhi kyon raas aate hain

Dard to ab thehar gaya
Mera wo kal ab guzar gaya

Kuchh lamhe batore hain
Thode tanha kuchh mehfil ke
Kabhi to shor tha itna bada
kabhi meri tanhaai goonjti

In sab ke beech jee lete hain
Kabhi sambhle ya gir lete hain

Kuchh duayein batori hain
Zindagi aur khushiyon ki
Saath rehte hain jo mere
Marte jeete jaise bhi

Saara kuchh to ye tera hai
Mera kya hai jo ab mara nahin...