Friday, June 21, 2013

Ek 'Rangrez' type gaana likhna hai yaar...





















Ever since I heard the 'Rangrez mere' song written by Rajshekhar for Aanand L. Rai's Tanu Weds Manu, composed by Krsna, I have wanted to write something on those lines... A humble attempt, if I may...

Ek naya rang dekha tujh mein...
A Keyrun Rao original

Kaali-safed si hi thi yeh zindagi meri
Jab tak tera yeh rang dekha nahin tha
Laal rang se pyaar ho chala tha mujhe
Jab tak tujh mein nahaaya nahin tha

Ek naya rang dekha tujh mein maine
Zindagi se pyaari, zindagi se bhi zinda
Teri aansuon mein bheega tha ek din
Maut se hua tha main us din sharminda

Tere rang mein naha kar dhul gaya hoon
Aansoo dhul gaye mere kuchh is tarah
Ab muskaanon sa rang chadh gaya hai
Tu hi hai ab se mere jeene ki saari wajah

Andherey aasmaan mein taaron ki tarah
Chaashni mein doobi hui jalebi ki tarah
Tere rangon mein ghul gaya hai aashiq
Lambi raat ki ab shaayd hui hai subah

Shaayad teri rang mein rang gaya hoon
Mere rang ka toh kurta bhi nahin hai ab
Teri rooh ka rang chadh gaya hai mujh pe
Tujhse hi jaane mujhe kyon lagey hain sab

Jab tak tera rang maine dekha nahin tha
Laal rang se pyaar ho chala tha mujhe
Ab saare rang tere mil gaye hain aaj
Bataa kyon main itna na chaahoon tujhe

Ghulam ho chala hoon tere saare rangon ka
Mere rang ab bujh se gaye hain aisa lagta hai
Bas tu chhayi rehti hai mere indradhanush mein
Naye rang ban gaye hain, aisa mujhe lagta hai

Thursday, June 20, 2013

Raanjhanaa: Some musings on love lost, found & some just lost forever


Disclaimer: This isn't a review as such, but some musings caused by some old scars that started hurting all over again. To save you time, let me just quickly say, if Aanand L Rai's 'Tanu Weds Manu' brought tears in your eyes, 'Raanjhanaa' will make your heart bleed.

'Raanjhanaa' is for those who believe in eternal old-school-love, longing, tears, slit wrists, sleepless nights, the unsaid and the unspoken, the truth and lies and how true love never ever dies. People die, the love doesn't. Or may be it does these days. Not in the good ol' days when guys would buy musical greeting cards, write poetry or even write love letters with their own blood. I heard recently that a couple broke off their '7 weeks long' relationship on Twitter. Too bad, 'Raanjhanaa' might not work for those bunch of kids.

Coming back to my thoughts, my memories and scars, triggered by this well-told story... 

It was a rainy night. A young guy, punch drunk, had set off on his final journey. Or so he thought. At about 120kmph on the highway all he could see was the smile that made him freeze when he first saw it. A smile that detached him from his entire universe. Everything that he had, family or friends had ceased to exist at that  moment. Call it what you will, but he saw that moment when Kundan sees Zoya for the first time when they were tiny kids with no idea of the world around them.

This happened a month even before our guy had professed undying love to this girl he fell for.

Our guy was having a bad day. A very bad one. He had quit his job, just because his boss wouldn't give him a day off to be there on the birthday of that girl who he loved more than anything or anyone in this world. He re-lived that moment when Kundan forgets about his OWN marriage, just to be there for that girl who left him for somebody who he didn't even know existed.

Friends are forever, love perhaps comes with an expiry date

Things were beginning to get sad and the relationship didn't seem to be heading anywhere. Our guy was at a shady dance bar, being wooed by some random whores for a quick buck. He was almost about to give in to the temptation and that's when his one-time best friend storms into that place, slaps our guy and takes him back home. Our guy expresses his gratitude by slapping his best friend back after being got back home safe minus any sexually transmitted diseases. The character played by Zeeshan (Kundan's best friend) drowned me in the memories of so many such things my best friends did for me (and still continue to do so), despite me being such an a**h**e friend.

Little did our guy know that the magik of love & the love of magik wears off too...

A few years later their relationship was over. The guy was heartbroken and his soul was bruised. He incidentally bumped into the girl he refused to call his 'ex' yet. She was still wearing an earring that he had gifted her, when they were still together. Our guy relived the moment when Kundan was trying to touch Zoya's anklet while she was in the hospital. 

True love comes back, even if it is in the form of another person...

After many years, a decade almost, our guy gets lucky enough to meet a girl as mad as he is; perhaps more. But he was still stuck to the memories of the girl he loved and still refused to call his 'ex'. This time it seemed like the guy was destined for a long relationship. But he still wouldn't open up. The girl kept trying, with the patience of a monk. She kept trying till he finally realized that he was ruining his life for nothing. He thought about this when he saw Bindiya, the character played by Swara Bhaskar, just wouldn't give up on Kundan, despite him being such an idiot.

There is a God up there somewhere, whatever name we give him, he is doing a damn good job.

Today when I watched Raanjhanaa, it was again a rainy night, like the beginning of this post. Thanks to Aanand L Rai's labour of love, I have relived countless memories of the guy I was, guy I knew, the guy I have become and the guy I know that I will be tomorrow. I will stop writing now, as I am feeling emotionally stripped after putting down these thoughts here. The girl who waited patiently for me to get over my ex, is still patiently waiting for me to finish this post, so that we can chat about 'Raanjhanaa' for the rest of the night... or is it day already?

One last question to the director -  

Why did you not let Krsna & Rajshekhar to do the music of Raanjhanaa? Wish you had given them a chance. I was pining for that 'Rangrez mere' moment when I stormed out of the theatre, not being able to control my tears at all. Full respect to ARR sir & the gems he created for your film, but the 'Rangrez mere' moment is still missing... Perhaps in your next film... I hope... I wait...

The rest of y'all in Ramgarh, if you do watch the film, please write in the comments of what you feel about this film. All my love & wishes for Dhanush, Sonam, Zeeshan & Swara, I am sure they will go places once Raanjhanaa finds its real audience & its own space in the universe of eternal love...

Amen.

Love, Magik. 

Monday, May 6, 2013

Maut si zindagi ya zindagi si maut...


A Keyrun Rao original

Tera milna kuchh aisa laga jaise
Maut si zindagi ya zindagi si maut
Zindagi ka khauf toh raha nahin
Na rahi meri maut se mohabbat

Tere saath sab ek sa lagne laga ab
Maano jaise paaya hai maine rab
Ab kisiki talaash nahin hai mujhko
Bachpan sa pak lag raha hai sab

Tujhe dekh kar bas rukna chaaha
Maut si zindagi ya zindagi si maut
Chalte hue thak gaya tha shayad
Teri khushi mein maine sab paaya

Bina tere yeh zindagi maut si lagti thi
Tu jo paas hai toh jannat naseeb hai
Bina tere yeh lambi raah nigal leti thi
Ab toh hamesha muskaan hi rehti hai

Tujh mein maine hai paaya khud ko
Ya shaayad kahin kho diya hai sabko
Maut si zindagi hai ya zindagi si maut
Miloonga jab toh bataoonga us rab ko

Monday, April 8, 2013

Kaisi hai tu...


A Keyrun Rao original

Tujhe gaye zyaada waqt toh nahin hua,
Teri khushboo ab bhi mujh mein hai,
Teri kuchh baatein sunaayi de rahi hain,
Teri rooh ab bhi mujh mein hai kahin

Mujhe ek awaaz de kar dekh toh zara
Teri muskaan se hai mera yeh dil bhara
Jaane kahaan duur chali gayi hai ab tu
Dil mera kyon yeh hai is tarah dara-dara

Jaanta hoon laut aayegi tu jald hi paas mein
Jaane phir kyon hoon aaj itna udaas main
Aisa lagta hai doosre hi kamre mein tu hai
Phir bhi lagta hai sabse tanha hoon aaj main

Aas-paas hi hai kahin aisa mujhe lagta hai
Toh meri rooh aaj kyon itni bhi pyaasi hai
Chhoo hi nahin paa raha hoon tujhe main
Shaayad isliye meri raahein sookhi hui hai

Kaisi hai tu, teri koi bhi khabar hi nahin
Aise kyon lagta hai, tu hai toh yahin kahin
Kaisi hai tu, teri koi bhi khabar hi nahin
Kyon nahin bas jaati mujh mein tu kahin

Friday, March 8, 2013

Bas ek tu hi tu...

A Keyrun Rao original, inspired from the track of 'Nautanki Saala'



Ek naya rang dekha hai tujh mein
Bas tu hi hai kyon hai mujh mein
Sab nazaare kho gaye hain kahin
Tere bina ab main nahin mujh mein

Nayi raah dekhi hai maine tere sang
Zindagi yeh nahin lagti hai koi jung
Sab meetha-pyaara lagta hai mujhko
Jab bhi paata hoon tujhe mere sang

Bas ek tu hi tu hamesha rehta hai
Jaane mujhse kitni baatein kehta hai
Kuchh pal ko ruk ke jaan lete hain
Teri dhadkan, mera dil jo kehta hai

Khwaab toh duur ki baat hai yaar mere
Mujhko toh ab neend bhi nahin aati hai
Bina tere akele is jahaan mein kaise
Mujhe ek anjaani si pyaas sataati hai

Sharaabi se jaise uska nasha chhin gaya
Tere bina mein waise tadapta reh gaya
Mil ja mujhko badaalon ke paar kahin
Is saal phir mera jahaan sookha reh gaya


Bas ek tu hi tu hamesha rehta hai
Jaane mujhse kitni baatein kehta hai
Ab ke aao toh jaane nahin doonga
Itna bhi pyaar kisiko koi karta hai...?

Monday, March 4, 2013

Badi duur hai tu

A Keyrun Rao original

Kuchh kehna hai tere kaanon mein
Chali gayi tu kahaan jahaanon mein
Badi duur hai tu, dikhti nahin hai ab
Mil bhi ja kahin, meri raahon mein

Sunaayi nahin deti hai, kya karoon
Dikhaayi nahin deti hai, jaane kyon
Yaad karta hoon tujhe main har pal
Bina tere bata main ab kaise rahoon

Kyon hai duur tu itni, kya pata mujhe
Kya gila hai tujhko, na hai pata mujhe
Jhaank le aa kar tu ab dil mein mere
Jaane itna main chaahoon kyon tujhe

Kuchh kehna hai tere kaanon mein
Chali gayi tu kahaan jahaanon mein
Bada tanha sa lag raha hai sab kuchh
Bas tu hi jawaab hai sawaalon mein

Badi duur hai tu, jaane kahaan hai
Mera yeh jahaan tera, aaj soona hai
Mil ja mujhko hans kar phir se waise
Jannat apna toh bas ab yahaan hai 

Sunday, January 13, 2013

MATRU KI BIJLEE KA MANDOLA review: पेंचो पेंचो, फिल्में खामखा नहीं!















Fade in.

दो माह पहले
I came to know that short films will be screened at the Kala Ghoda Festival this year. The theme this time is – ‘Cinema For Change’. I thought a lot about it and came up with my satirical take on it titled – Ho Gaya Kalyan. This post isn’t about my first bona fide short; this has been triggered after watching Vishal Bhardwaj’s latest offering, मटरू की बिजली का मंडोला. After watching this insane trip to the back and beyond of civilization, I feel that my short film seems to be hopefully headed in the right direction.

पिछले साल की बात
I watched two films in 2012, Prakash Jha’s Chakravyuh and Bedabrata Pain’s Chittagong. The former was the pits, while the latter had me in tears towards the end. Chakravyuh had the so-called stars, item number, make out scene, big budget, but a shitty script and Chittagong just had Manoj Bajpayee, a passionate indie spirit and an amazing script. Needless to say, neither of these films found many takers when they released. पेंचो पेंचो!

पंकज कपूर wow से!
One might argue that if not for Imran Khan and Anushka ‘Look ma I emerged from water half naked yet again’ Sharma, MKBKM would not get a wide release. But if it wasn’t for Pankaj Kapur, this film wouldn’t be an iota of what it has become. We need more filmmakers to write roles for him. JUST HIM. Imran worked hard to hide his face behind his face fuzz and Anushka worked hard to flaunt her legs, but Pankaj saab & Shabana Azmi stole their thunder from right under their shapely noses.

बाहुबली! बाहुबली!! विशाल भरद्वाज बाहुबली!!!
Here is one director who doesn’t give a damn about the kind of films his peers are making. He is running his own race, setting his own standards and not making a song and dance out of his travails. He silently works on his films, composes music and mentors talents that qualify in his league of cinema. With MKBKM he establishes once again, that nobody knows the North Indian rural milieu better than him. It is a sheer delight to watch the earthy set up and it wouldn’t be an exaggeration if you could smell the dung cakes when they were being hurled around in the film. Extra brownie points to this 'reluctant auteur' for employing the honeydew smooth voice of his better half when needed! AND he has the blessings of Gulzar Saab!!! Baadal utheya...

फिल्में खामखा नहीं
For me, the biggest learning after watching MKBKM is that films don’t have to be very realistic or completely brainless. If you have a point to make, go ahead and make it. Not everybody might get the ‘bourgeois bitch and commie bastard’ reference, but for some it will be the defining moment of the film. Obviously God is in the details, and not everybody has to notice everything. As long as they get the bigger picture and go back home with huge smiles pasted on their faces, the job of a Hindi filmmaker is almost done. The intelligentsia will get the subtle nuances at first and for the rest it might sink in on repeat viewings.

शर्तें लागू
I had read the script of MKBKM long back, and I must say that it was way funnier than the film that I watched this weekend. One of my most favourite lines from the script was:

उठो लाल अब आंखें खोलो, दारू लाया हूँ मूंह धो लो!

Having said all that I had to, let me just say that the year 2013 has begun on a fantastic & laugh out loud note at the cinemas and I would highly recco this film to one and all. As far as I am concerned, the खामखा song captured not just the romance of Matru and Bijlee, it also highlighted the romance that the Maoists feel, when they commit themselves to the cause of their brethren.

लाल सलाम to that!