Showing posts with label irrfan khan. Show all posts
Showing posts with label irrfan khan. Show all posts

Saturday, May 9, 2015

Piku: Some deep emotions let loose in motion

The day I first saw the trailer of Shoojit Sircar's 'Piku,' I knew I had to watch it - first day first show. Since the trailer released till I watched the film today, I have lost count of how many times I revisited it. I already knew it is the kind of film that will touch me, move me, and become a part of my family in the form of a DVD & live happily with me ever after. My excitement to watch it FDFS was growing by the day, and then shit happened.

The better half had a problem with her motions, and we had to wait till Saturday evening to go watch the film. I swear I am not making up this shit. CineMaa kasam!


A confession before I begin writing about Piku - I find it very hard to stand Bengali people. They are too snobbish for my liking. Some of them even tweet to each other in Bengali. Strangely enough, the filmmakers who have influenced me deeply through their work are Bengalis - Sujoy Ghosh, Shashanka Ghosh, Dibakar Banerji and Anurag Basu. The latest addition to this elite club is Shoojitda. I went mad with joy when after finishing a narration, the producer's feedback included the fact that my script is in a very Shashanka Ghosh zone. 

Without wasting any more time, let me get started on Piku - When Bachchan saab gets an author-backed role, he elevates the the film to some other stratosphere. Deepika Padukone emanates some inner radiance and lights up the frame like no DoP ever can ever facilitate. If Irrfan can stand up to the legendary actor like Bachchan saab, and still chew the scene effortlessly, there's no stopping him. A thundering drum roll, hawaai firing & wine ki barsaat for my new hero - 

Juhi Chaturvedi

By now you must have guessed that there is not much I am going to reveal about the film. This blog only orders / requests / begs / tantalises / pataoes the readers to watch Piku, as soon as you can. The trailer gives you an idea of what to expect, but if you choose to read further, I will give you some subtle reasons why you MUST watch Piku this weekend. Please don't let the U/A certification deter your choice - the makers have been smart enough to keep it entirely clean.

You might think that 'potty humor' isn't your zone, but that's because of Sajid Khan. Potty and constipation are just metaphors employed by Juhi and Shoojitda. Piku is about life in general, and relationships in particular. A daughter coming of age, and a father going back to his nascent childhood. A son trying to tolerate his family by trying to replace the father, and the family just acting difficult - like all children tend to do. There's no explanation to this behaviour.  

Piku is also about other peripheral relationships - the one you share with your maid, the one you share with your personal doctor, and so on... Hard as I try, there couldn't be a better name to this film than 'Piku'. The film revolves around Piku, the girl of today, stuck with a father of yesteryears trying to get in sync with his progressive daughter. Everything that was supposedly wrong with Deepika's 'My Choice' video, stands corrected in Piku. I am not telling you more - go watch the film.  

Picture this: It was the second day after my mom-in-law moved in with us. She has several medical ailments, and has survived them all thanks to the rockstar that she is. That day I had only stepped out for less than five minutes to pick up some grocery, and the minute I come back, she is running around the home with a broom cleaning up the home. I was aghast, as she is not allowed to stress herself. Since that day she has been our baby. We ensure that everything's in place so that she is calm.

I connected with Piku and her life because I have a 64 year old child at home who gets cranky at times. We understand that all she just wants is our attention, but Rani and me being busy professionals, we are unable to be there all the time. Having been a professional nurse in her prime, mom-in-law takes care of herself when it comes to prescribing medicines for herself and taking them on time. It's just the emotional space with many voids that brings out the 'trouble child' within her.

Before I get too emotional, I hand over the blog to Rani... 

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For me Piku is not just a film, its an experience. The same kinds anyone would experience with older people around them. I was fortunate to have my grandmom live with us when I was younger. She was a rock solid woman and our household which only had women, got some kind of magical strength because of my 80+ years old grandma being with us. She was also a typical Malayali Christian, who would call my friend Sachin Mathews as "Mathai kutty" (which I am sure he hated) or start blabbering unpleasant things in front of my male friends if she didn't like them. She would win laughing championships (Yes, there is such a thing in Kerala) and could make you feel miserable at the same time. But despite everything it was the unconditional love she had for me, which she expressed in a very strange way that would make me do anything and everything for her. 

Piku is about the complex relationships around us. Our frustration stemming from the ones (Especially who we love the most) being a certain way. Its learning to deal with small things. For e.g- It irritates me to no end when my mom makes noise while she chews food, but I have learned to yet be proud of her wherever we may be, while she is relishing her food (whether it's a five star or a small dhaba) because now the priority is also that at least she is relishing that particular meal. 

Piku says to Rana at a certain point, "Ek waqt ke baad, hamey hamare parents ko zinda rakhna padta hai". Sometimes, what our parents say or do just doesn't make sense, but its their way of asserting their importance or trying to feel their existence in someway. And at other times, its long after they are gone, that we realise why they behaved unreasonably at a certain point. My first impression of a 'mother' was my grandma, who brought me up from when I was 1 and half years old. It was after she was gone that I looked back and realised why she would call out to me incessantly, and I would come running from either cooking in the kitchen, or from playing outside,  to get her water from the refrigerator which was placed right next to her bed... It was because her legs used to go numb, which I was unaware of back then. Did I get upset at those times? Yes, I did get upset sometimes, not always though. 

There was a time towards my grandma's last days, when she couldn't move out of bed. Yet she hated being given bed pans. She would gather all her strength and go to the toilet herself. Once I remember, she perhaps couldn't control till she reached and she was so upset that she almost cried apologetically. I cry every time I imagine that expression on her face. When we were kids, they would have cleaned us a million times over, yet nobody would want to burden themselves on their kids ever. Before I get more emotional, let me just say that please go experience PIKU. 

Let this piece of cinema take you on a 'Motional' ride ;)

Tuesday, October 1, 2013

Ritesh Batra's response to the FFI letter

Director of 'The Lunchbox' responds to the letter he received from FFI.




Email received from the director's PR agency







Dear Sir, 
I just received your letter. Many industry stalwarts have made comments similar to mine but you sent the letter to me, a debutant filmmaker, but I am honoured and proud to speak for my film and team. If an apology is what you demand, you have it. Both you and the jury have my wholehearted apology. 

There was no intent to hurt anyone, but rather to participate in the vigorous debate that this decision ignited in the public domain. 

I sincerely hope that the annual reactions to our Academy selections from the national press, and this year from even the international press, prompt a new policy for the selection. Sir, please use your good offices to give us a transparent, objective process with a public and not a secret jury. It is a direct and humble request, not a criticism. 

I have moved on from this debate to focus on more productive pursuits and I would encourage everyone to do the same. With much respect for your tough job. 

Ritesh

--

Ritesh Batra

Writer/Director

@riteshbatra on Twitter

http://www.riteshbatra.com

Friday, September 20, 2013

The Lunchbox: A brilliant ode to a city, its citizens & cinema above all!

















First things first: I am feeling damn hungry. It was about 1:00am when I left Juhu PVR after watching Ritesh Batra's The Lunchbox. I was wondering if I could buy 'bhurji pav' somewhere...

*Struggling writer's sob story alert*

Then it struck me that I have just about enough money to last me for the next few days before some more money comes on the table. I picked up half a dozen pav at the Juhu Circle bus depot. Have some eggs at home, so the sudden indulgent thought of having 'bhurji pav' at Andheri station was curbed.

*Sob story over*

Throughout the way back home, I just kept thinking about Irrfan Khan, Nimrat Kaur & Nawazuddin Siddiqui. And of course, Ritesh Batra, The 'Phata Poster Nikla Director' this weekend!

As usual, this isn't a review; just some thoughts that came up in my mind while I was watching The Lunchbox, and some of those that are cropping up, as I sat down to write this.

I LOVE BOMBAY... Just like the gazzillion others who have found themselves in this city. I am sure everybody who has been touched by this city has his or her own unique story to share about this magical city of dreams. The way I feel about The Lunchbox is somewhat similar to the way I felt after watching my namesake's - Dhobi Ghat: The Mumbai Diaries. Ritesh Batra's love for Bombay is perhaps just as pure & unique (if not more), as Kiran Rao and yours truly as well. Having been in this city for all these years, I have encountered so many people from other cities proclaiming their undying love for Bombay. Some from UP-Bihar, a few from MP, a handful from Delhi and Chennai etc.

If I recollect properly, I have inherited my love for Bombay from my dad. He left this city midway through his career with so much hate, that the love he had for it found its way into my heart. My growing up years were spent in a chawl in Tilak Nagar (Chembur) & legend has it that the only person who could make smile when I started bawling was none other than - Chhota Rajan (who just happened to be our next door neighbour & hadn't hit Big Ticket back then). There's something about Bombay that has seeped so deep down in my soul, I can somehow (mostly accurately) tell if your love for this city is for real, or you are just faking it. At this point I feel I am giving away way too much info that I have been saving for my script, so I will stop this here. Apologies.












It was midway through The Lunchbox, and I was standing out smoking with my friend, waiting for the interval to end. I was gobsmacked and just couldn't believe that something like this could be ever written on paper. My friend on the other hand insisted that everything was written. I asked her, how can  you write how should Irrfan / Nawaz / Nimrat react to a certain cue? And what about the unsaid words,  the unwritten lines... She interrupted, saying, "Everything was written - all that was said, unsaid, written or unwritten. To save face, all I could tell her that it was a 'back-handed compliment'. She grinned, knowing very well that she caught me off guard. Girls I tell you... grrrr

It has been over an hour now since I watched The Lunchbox and I still can't get around to believe that the damn thing was scripted. HOW THE F*%$? I would like to believe that some lucky guy with a high-end spy cam just managed to be there, where things were happening & Lord CineIndra, perhaps pissed by the 100cr blockbusters decided to show us mortals how the hell it is all done. No perversion, no cheap gimmickry, no flying Scorpios or dancing lungis. May be Mr Batra was smoking something interesting that arrived from the hills? He doesn't look like one of those tokers that I have had the misfortune of meeting in the recent past. I think Mr Batra is hopelessly in love with Bombay. Way more than me or my namesake, Kiran Rao.

Don't even get me started about the casting of The Lunchbox. It is the stuff indie wet-dreams are made of. Irrfan keeps getting better, and same is the case with Nawazuddin, but Nimrat took the film to some other level of awesomeness. One would sell a kidney or other vital organ just to see Irrfan & Nawaz in a frame, but who knew I would sell my (sell-out) scripts outside Chai Coffi (Versova) for 100 bucks, just so that I can cast her in ONE film that I make, before I say "Pack up" once & for all. Thanks for Nimrat, Mr Batra!

One of the gazzabazzamillizillion portions that stood out in the film was a sequence when they show a 'dabbawala' being shot while he is going about doing his Harvard-approved-US President-certified daily job. I once got into a scuffle in a local train, and years later wanted to shoot that scene for a short film that I was trying to make. I tried a lot, but then eventually gave up. I thought there is NOBODY who can shoot in a crowded train coming to a halt at a station bustling with people. To accomplish that task, either you should be GOD ALMIGHTY himself, or your last name should be Thackeray, or you should be the love-child of RGV and Anurag Kashyap. If none of those, then I guess you HAVE to be Ritesh Batra at the very effing least.

There are many moments in The Lunchbox... so many of them, that you will feel like revisiting the film for, every now and then. Just the way you feel for a dear old friend who always has interesting stories to tell. There are few exchanged glances, some moments of solitude, some moments of catharsis and perhaps the entire spectrum of magical moments that make cinema what it is for us cinema lovers. I am not talking about the lungi dancers, shirtless super-cop lovers and their ilk. I am talking about those of us, who love cinema in its purest form, the way Gods would have perhaps scripted, shot & edited.

Before I call it a day, I leave you with this pic of my past mid-night snack. Jalo salon! :D








 
  

Sunday, March 4, 2012

Kya daud lagaayi...

A Keyrun Rao Original, dedicated to Tigmanshu Dhulia's film, Paan Singh Tomar and Irrfan Khan.

Bhaagte sab hain, wo akela dauda tha
Bhind ki shaan, ek baawla modha tha
Zindagi ki kya baat karein uski hum 
Usne maut ko bhi peeche chhoda tha

Wo apne rishton ke liye daudta raha
Phir bhi aakhir mein tanha kyun raha?
Finishing line pe nazar thi uski shayad
Aakhir mein kuchh bhi baaqi na raha

Aasmaan ko jisne chooma tha kabhi
Uska khoon mitti mein jam ke rah gaya
Taare rehte they jin aankhon mein kabhi
Un mein kaala ghana andhera reh gaya

Kya daud lagayi tumne Paan Singh Tomar
Itihaas ke pannon mein rahoge ajar amar
Tumhaari kahaani sun ke bada bura laga
Insaaf milega tumhe toh us Khuda ke ghar