Showing posts with label Shabana Azmi. Show all posts
Showing posts with label Shabana Azmi. Show all posts

Saturday, January 25, 2014

59th Filmfare Awards: A night to remember

Agar kisi cheez ko dil se chaho toh saari kaynat tumhe usse milaane ki koshish mein lag jaati hai’
- Om Prakash Makhija

I couldn't believe my ears when Rani told me that she will get me a pass to attend the 59th Filmfare Awards. She said it very casually, as if it didn't mean much. For me, it meant as if I am going to be at the shoot of Sholay. Or perhaps, being present while 'Aane wala pal' is being recorded. Rani has seen enough and more of such events to care much. For me it was a first. My heart was beating in my eyelid. I couldn't sleep a wink for a week or so. I had stopped eating. I was imagining what I would do there, what I would wear, will I make it past the security or not and so on…

Way back in 2009, when I was to attend the premier of Sankat City, my friend Kartik Krishnan had told me, "Nobody gives a f about what you wear, nobody gives a f about who you are." Though I was armed with that wisdom, I was worrying about I am going to wear that evening. On a normal day I don't give a f about what I am wearing because I know that nobody gives a f about me. Okay, Rani does chide me at times, for the torn jeans and crumpled tee that I step out wearing. Here I was looking at my princely collection of four white shirts and trying to decide upon one.

The choice was simple, the one that took the least effort to iron. Once that decision was made, I was worrying about my look. I told Rani, "I want to look like a badass gangster with a heart of gold." Don't ask me what that means. I am still trying to make sense of what I had said. For the first time in my life I requested Rani to apply makeup on my face. I was doing everything that I never do till I am too drunk.  Hair, makeup and all the razzmatazz taken care of. I remember telling Rani, I know all this is stupid and vain, but I am born for this shit. She nodded in agreement.

 So I step out of my home all set to blow air kisses and sign autographs & the sole of my shoe pulls a fast one on me. I never wear that shoe, but for a few rare occasions and on that fateful evening it decided to ditch me. To show me that I am an idiot. To put me back into place. To make me taste humble pie. I wanted to die. Then I decided it would be simpler to just change the damn shoe. It struck me that if I changed the shoe, I will have to change the damn trouser too. A fine gentleman and a great actor-singer, Ayushmann Khurrana was waiting for me, as I was supposed to tag along with him.



Time was running out and some quick decisions had to be made. The shoe, the trouser, the jacket and everything had to be re-coordinated. It took me 3 minutes to ruin everything that Rani had done to style me. In my new avatar I was now looking like a broke journalist-turned-drug peddler-turned-wannabe neta-turned-disaster gangster. You can see the pic if you need evidence. (I am the white shirt guy, the suit wala bloke is Sujoy Ghosh, who made Jhankaar Beats.) Post that disaster management, I hop into Ayushmann's car a little away from the venue. The first thing he tells me is, "Bro, I think it's a 'formals only' event." I felt like dying again, but I tell him, "dekhte hain yaar."

The moment we reach the venue and step out of the car, we hear mad cheering & hooting. It strikes me that the adulation and love was for Ayushmann & not me. I eat humble pie with both my hands again. What happened next just froze me. I was following Ayushmann & Rani into the venue & sweet mother of Rajinikath, I landed up being seated in the 4th row closest to the stage. Imagine a rookie like me, who still has no IMDB page or anything, lands there. I went numb. All kinds of stars, superstars and the ilk were all around me. My brain didn't explode and I quickly realised that one needs to have a brain for it to explode. Jaan bachi to laakhon paaye.

A little less than an hour into the ceremony I began to get bored. I was tired of clapping. I wanted to go out and breathe easy. I felt like it was cheating. A guy like me can't be rubbing his hands gleefully sitting in the same row as Anupam Kher, Shabana Azmi and so many more. So I walked out of the audi to a better place. You guessed it, the bar counter at the venue. I realised the only people watching the ceremony were either those who were waiting to win an award or those who wanted to clap for the person who they wanted to win for whatever reason. The rest of the junta was at the bar counter.

Had a great time sipping fokat ka expensive whiskey with interesting people from the industry. The chakhna wasn't that great, but mere baap ka kya gaya? Had wonderful conversations, behaved like a fanboy, swapped cigarettes with Swanand Kirkire, spilled whiskey on somebody's expensive D&G suit, soaked in the feeling of being at the sanctum sanctorum of YRF Studios and behaved as if I owned the place. Super fun & I only have Rani to thank from the bottom of my heart & the top of my Patiala peg. Hopefully me & Rani will attend the 60th Filmfare Awards because our film will be nominated too!

That's something I have been 'maanging' from the 'kaaynat'. Sunn raha hai na tu? 

Amen.

Sunday, January 13, 2013

MATRU KI BIJLEE KA MANDOLA review: पेंचो पेंचो, फिल्में खामखा नहीं!















Fade in.

दो माह पहले
I came to know that short films will be screened at the Kala Ghoda Festival this year. The theme this time is – ‘Cinema For Change’. I thought a lot about it and came up with my satirical take on it titled – Ho Gaya Kalyan. This post isn’t about my first bona fide short; this has been triggered after watching Vishal Bhardwaj’s latest offering, मटरू की बिजली का मंडोला. After watching this insane trip to the back and beyond of civilization, I feel that my short film seems to be hopefully headed in the right direction.

पिछले साल की बात
I watched two films in 2012, Prakash Jha’s Chakravyuh and Bedabrata Pain’s Chittagong. The former was the pits, while the latter had me in tears towards the end. Chakravyuh had the so-called stars, item number, make out scene, big budget, but a shitty script and Chittagong just had Manoj Bajpayee, a passionate indie spirit and an amazing script. Needless to say, neither of these films found many takers when they released. पेंचो पेंचो!

पंकज कपूर wow से!
One might argue that if not for Imran Khan and Anushka ‘Look ma I emerged from water half naked yet again’ Sharma, MKBKM would not get a wide release. But if it wasn’t for Pankaj Kapur, this film wouldn’t be an iota of what it has become. We need more filmmakers to write roles for him. JUST HIM. Imran worked hard to hide his face behind his face fuzz and Anushka worked hard to flaunt her legs, but Pankaj saab & Shabana Azmi stole their thunder from right under their shapely noses.

बाहुबली! बाहुबली!! विशाल भरद्वाज बाहुबली!!!
Here is one director who doesn’t give a damn about the kind of films his peers are making. He is running his own race, setting his own standards and not making a song and dance out of his travails. He silently works on his films, composes music and mentors talents that qualify in his league of cinema. With MKBKM he establishes once again, that nobody knows the North Indian rural milieu better than him. It is a sheer delight to watch the earthy set up and it wouldn’t be an exaggeration if you could smell the dung cakes when they were being hurled around in the film. Extra brownie points to this 'reluctant auteur' for employing the honeydew smooth voice of his better half when needed! AND he has the blessings of Gulzar Saab!!! Baadal utheya...

फिल्में खामखा नहीं
For me, the biggest learning after watching MKBKM is that films don’t have to be very realistic or completely brainless. If you have a point to make, go ahead and make it. Not everybody might get the ‘bourgeois bitch and commie bastard’ reference, but for some it will be the defining moment of the film. Obviously God is in the details, and not everybody has to notice everything. As long as they get the bigger picture and go back home with huge smiles pasted on their faces, the job of a Hindi filmmaker is almost done. The intelligentsia will get the subtle nuances at first and for the rest it might sink in on repeat viewings.

शर्तें लागू
I had read the script of MKBKM long back, and I must say that it was way funnier than the film that I watched this weekend. One of my most favourite lines from the script was:

उठो लाल अब आंखें खोलो, दारू लाया हूँ मूंह धो लो!

Having said all that I had to, let me just say that the year 2013 has begun on a fantastic & laugh out loud note at the cinemas and I would highly recco this film to one and all. As far as I am concerned, the खामखा song captured not just the romance of Matru and Bijlee, it also highlighted the romance that the Maoists feel, when they commit themselves to the cause of their brethren.

लाल सलाम to that!